Acting CV // Heather Tracy

Personal details

Location: London, North Yorkshire,
Playing age: 45 to 55 years
Height: 5 feet 8 inches (172cm)
Appearance: Eastern European, Scandinavian, White
Eye colour: Blue-Green
Hair colour: Brown

Accents

Standard English (RP), Heightened RP (upper class), Yorkshire (mum), Cockney/Essex (dad), Standard US

Skills

Excellent soprano voice, acapella, music reader, piano, ballet, period/country dance, cycling, SCUBA, driving licence, published writer

Red text = link

Film

TV

Theatre

The Lions part
All directed by Sonia Ritter

Wakes & Revels (Fantasticke) | Shakespeare’s Globe
The City Wives’ Confederacy (Jessmine) | Greenwich Playhouse
Twelfth Night (Curio – singing role) | Castle Rushen, Isle of Man
No Help No Wit Like a Womans (Lady Widow Goldenfleece) | Lincoln’s Inn Hall
The Marriage Betweene Wit & Wisdom (Wantonness) | Bankside revels
Gammer Gurtons Needle (Dol) | Bankside revels
October Plenty (Ceres) | Bankside revels/Shakespeare’s Globe
May Games (Will Scarlett) | Bankside revels

The Original Shakespeare Company
All productions produced and guided by Patrick Tucker

Twelfe Night (Sebastian) | Jerash Festival
Margaret of Anjou (Duchess of Yorke) | Hampton Court
Measure for Measure (Isabella) | Trinity College Cambridge
Macbeth/King Lear (Third Witch/Regan) | Strange Beginnings at Trinity Hospice
Cymbeline (First Lady) | Shakespeare’s Globe

Reviews

Harry Hill’s Tea Time
Why does the show end with a troupe of Delia Smith lookalikes singing This Charming Man while extras throw custard pies and yell “Give us back the Elgin Marbles”? No idea. None at all.
Alexi Duggins, The Guardian

Spooky Little Girl
Helen Kelly’s new play is community theatre at its best… glittering professionalism. The success of the outstanding duet work (manic, menopausal mother Heather Tracy) lies partly in the strength of Kelly’s impeccable writing. A very funny comedy of manners and language with plenty of spiky dramatic irony.
Sue Elkin, The Stage

The girl’s zany (“Absolutely Fabulous”) mother, (was) cleverly played by Heather Tracy… Some reservations about the play, but none about the production and the performances.
Donald Hollins, Kentish Gazette

The City Wives’ Confederacy
While most of the players are larger than life (and brilliantly so) Heather Tracy’s quiet-as-a-mouse housemaid – who scuttles around in the manner of Ab Fab’s Bubbles – is well worth a mention too.
Kerry Ann Eustice, News Shopper

I cracked up more times than I can remember and Heather [Tracy] only had to walk across the stage to have me in stitches!
Melissa Marlowe

The Cocktail Hour
Lovely Heather Tracy, as Nina, is herself the epitome of a woman, wife and mother whose still waters run deep, exposing a quirkiness under the mask of a conventional suburban daughter who always seems happy but deep down never really was.
Patrick Tastensen, The Hamburg Express

Cowardy Custard
This indecently talented seven-strong company revealed the Master at his witty, bitchy and sentimental best.
Roz Hewitt, Camden New Journal

Adept with comic touches, [Heather] Tracy flips between elegance and bullish severity with ease…it is hard not to warm to such a classy revival.
Tony Cooke, The Stage

The Extraordinary Adventures of Colonel Cody
The four actors who performed in this show were frankly, beyond criticism. Their relentless enthusiasm and total immersion in every role was immensely inspiring to watch.
Joanne Mace, Basingstoke Gazette